Monday, May 2, 2011

FOREVER trailer

Maggie Stiefvater's third and final book in her Wolves of Mercy Falls series, Forever, comes out in the US and UK on July 12, 2011! 

Maggie is a superb author and if you are unfamiliar with her books, Shiver is the place to start. 

Or you can also check out my personal favorites, Lament and Ballad.

In the meantime, check out the Forever trailer, made by the author herself!



Maggie has made exquisite trailers for Shiver and Linger as well, which you can find here:



And what's ever MORE amazing, she composed original music for all three trailers!!!!

Enjoy!

Saturday, April 23, 2011

Elsewhere by Gabrielle Zevin

Published:May 15, 2005 by Square Fish
Word Count: 60,779
Series: n/a
Source: library audiobook

My Grade: C

Synopsis from GoodReads.com: Welcome to Elsewhere. It is warm, with a breeze, and the beaches are marvelous. It’s quiet and peaceful. You can’t get sick or any older...
Elsewhere is where fifteen-year-old Liz Hall ends up, after she has died. It is a place so like Earth, yet completely different. Here Liz will age backward from the day of her death until she becomes a baby again and returns to Earth. But Liz wants to turn sixteen, not fourteen again. She wants to get her driver’s license. She wants to graduate from high school and go to college. And now that she’s dead, Liz is being forced to live a life she doesn’t want with a grandmother she has only just met. And it is not going well. How can Liz let go of the only life she has ever known and embrace a new one? Is it possible that a life lived in reverse is no different from a life lived forward?
This moving, often funny book about grief, death, and loss will stay with the reader long after the last page is turned.

This book starts out with a good idea, but doesn't fully deliver. The author commits to tackling a heavy issue like teenage death, but then seems afraid to fully wrestle with the strife that that involves, instead staying on the light side of things like talking to dogs and getting a driver's license. Overall the book felt like wasted potential, failing to plunge to the depths of the issues it presents. It was like eating only the icing on a piece of cake.

I thought the way the author handled the love triangle between Owen, Emily and Liz was too simplistic and juvenile, and did not reflect the complexities that such a situation would involve. Owen was married to Emily on Earth, but died and since fell in love with Liz in Elsewhere. When Emily also dies and joins Owen in Elsewhere, he gives up Liz but soon finds he is no longer in love with Emily. This problem is nicely solved by Emily volunteering to leave, and the rest of the book continues with Owen and Liz's relationship like the whole episode never happened. That just rubbed me the wrong way.

I kept thinking the book was over after Owen rescued Liz from her batched attempt to float back to Earth with the babies. But it just kept going on and on, indicating an ill-placed climax and awkward pacing.

Head-hopping! Ahhh!! I can't stand it! It's always so blatantly obvious and it really pulls me out of the story.

One reviewer on GoodReads.com says this book reads like a hallmark movie, sappy and hopelessly predictable. That's as good an estimation as I've seen of Elsewhere.
 
Find it on Amazon: Elsewhere

Visit the author's website:
http://www.memoirsofa.com/Elsewhere.html

Tuesday, March 22, 2011

Review: Peter and the Starcatchers

Peter and the Starcatchers by Dave Barry and Ridley Pearson

Published: Hyperion Books, 2004
Word Count: 83,150
Series: Peter and the Starcatchers, book one
Source: library audio book
 
My Grade: B

Synopsis from GoodReads.com:  A fast-paced, impossible-to-put-down adventure awaits as the young orphan Peter and his mates are dispatched to an island ruled by the evil King Zarboff. They set sail aboard the Never Land, a ship carrying a precious and mysterious trunk in its cargo hold, and the journey quickly becomes fraught with excitement and danger. Discover richly developed characters in the sweet but sophisticated Molly, the scary but familiar Black Stache, and the fearless Peter. Treacherous battles with pirates, foreboding thunderstorms at sea, and evocative writing immerses the reader in a story that slowly and finally reveals the secrets and mysteries of the beloved Peter Pan.

I don't know about you, but I felt as though this book explained away some of the mystery of the Peter Pan story. Like: Where exactly did Peter come from? Why can he fly all the time without the constant need for fairy dust? How did fairies come to inhabit Neverland? How did Neverland get it's name? Just who is Captain Hook and how did he come to be on Neverland? The uncertainty behind these types of questions gives the Peter Pan mythos the aire of a dream or of Fairyland, and I think it's supposed to. Interacting with this story as a child (as I think most of us did), we did not wonder about these things but simply accepted the story and the fairies/people who existed in it as it was. I didn't like that Barry and Pearson gave a definite reason for these things. It takes away the magical quality of the story a bit.

Also, I can't remember if things like why Peter stays a boy forever are explicitly explained in the original book, or if I simply decided it was living on Neverland that stopped his growth. But if it was the latter, then I like the fact that we can come up with our own conclusion as to why things like that are the way they are in the Peter Pan story. (The authors give a different reason than mine, by the way, as to why Peter doesn't grow up).  Also, the original Peter Pan tells us pretty clearly that not growing up is Peter's CHOICE. In this book, that choice is clearly taken away. I am harping on this because this is one of the unique pivotal features of Peter Pan (the story and the character). And if you are going to write a prequel to Peter Pan, then at least make it consistent with the existing mythology!!  

There is a lot of action here. Almost too much, but if you've read my other reviews, you know I'm not a big fan of showy drawn-out action scenes. Especially when they are there for the sake of having an action scene, even if it doesn't contribute to the storyline. All the action scenes did move the story along, and if I was a ten year old boy I would have thought this book was totally awesome. And I would recommend it to 10 year old boys. But for me, I think the action could have been condensed and the plot more streamlined. But that's just me.

Ok, let's talk about Star Stuff. You know, that gold glittery dust that fell from the heavens and makes people fly. What's that you say? You thought it was called "Fairy Dust" and came from fairies? Me too. That's all I'm going to say about that.

I found myself not caring about the antics of Slank and Little Richard, but again that stuff is geared toward young boys. Also, Black Stache seemed to just track Slank or Peter through the island the whole time, and didn't contribute much to the other action. Peter's character was not as confident and boastful as he is usually depicted. He was much sweeter in this book, which is ok. It didn't bother me that much, it was just different.

Overall, it was a great little action book that is a nice choice for young boys.

Find it on Amazon: Peter and the Starcatchers

Visit the authors' website: http://www.peterandthestarcatchers.com/

Friday, March 4, 2011

Book Blogger Hop: March 4-7, 2011

Book Blogger Hop is hosted by Crazy-for-Books. 
Click the button for rules on how to participate in this fun Book Party!Book Blogger Hop

This week's question comes from Mia who blogs at Girl About Books:

 "Who's your all-time favorite book villain?"

My answer:

I tend to enjoy books that have a conflict rather than a villain as it's driving force, so this is difficult. But as I am a character person (as opposed to a plot person), I like my villains to be complex, preferably tortured souls, who have misguided reasons for doing what they do.

So I choose The Queen of Attolia from the book The Queen of Attolia, (which is the sequel to The Thief) simply because she does something unforgivable to the beloved protagonist, Gen, that makes you just want to hate her forever. However, as I said I like my characters complex and layered, so your feelings toward the Queen change as you read the book. It's excellent - if you haven't heard of these books, go read them right now!!!

The Thief (The Queen's Thief, Book 1)  The Queen of Attolia (The Queen's Thief, Book 2)

Review: Incarceron

Incarceron by Catherine Fisher

Published: May 3rd 2007 by Hodder Children's Books
Word Count: 96201
Series: Incarceron, book one
Source: library audiobook

Synopsis from GoodReads.com: Incarceron -- a futuristic prison, sealed from view, where the descendants of the original prisoners live in a dark world torn by rivalry and savagery. It is a terrifying mix of high technology -- a living building which pervades the novel as an ever-watchful, ever-vengeful character, and a typical medieval torture chamber -- chains, great halls, dungeons. A young prisoner, Finn, has haunting visions of an earlier life, and cannot believe he was born here and has always been here. In the outer world, Claudia, daughter of the Warden of Incarceron, is trapped in her own form of prison -- a futuristic world constructed beautifully to look like a past era, an imminent marriage she dreads. She knows nothing of Incarceron, except that it exists. But there comes a moment when Finn, inside Incarceron, and Claudia, outside, simultaneously find a device -- a crystal key, through which they can talk to each other. And so the plan for Finn's escape is born ...

Incarceron is basically a tale about what happens when human society attempts a Utopia. We know from history that theoretically a Utopia works perfectly –  but in practice, the natural inclination of man toward greed and power makes this an improbability. Incarceron’s premise is as old as Thomas Moore’s influential book, and even older besides, but set in a futuristic society that is at once more technologically advanced and intellectually primitive. These conditions, paired with a Protocol that superimposes an eighteenth-century time period and forces everyone to live within the confines of that period, gives the idea new dimension and gives us new things to consider about human nature and what happens when you strive to create a perfect society.

Besides the evident theme of how a Utopia is first created and then inevitably destroyed by descending into crime and chaos, Incarceron holds a myriad of fundamental themes. These include ideas such as considering the essential nature of man; the essential nature of change, how to stop change, or why things change at all; and what technology does for us or how it can work against us. It also explores the idea of a closed-off system and if such a thing can ever truly exist. The fact that this book addresses so many prominent themes while still managing to be a Young Adult fantasy story that is entertaining is a marvelous accomplishment – and a rarity at that.

Below, I am going to look at three of this book’s major themes: time, technology, and the utopian environment.

Outlawed Time

“You above all, Master Sapient, understand what the iron decree of the Havana have done to us. We are rich – some of us – and live well. But we are not free. We are chained hand and foot by protocol. Enslaved to a static empty world, where men and women can’t read, where scientific advances of the ages are the preserve of the rich, where artist and poets are doomed to endless repetitions and sterile re-workings of past masterpieces. Nothing is new. New does not exist. Nothing changes, nothing grows, evolves, develops. Time has stopped. Progress is forbidden.”

The world of Incarceron, or should I say the Outside, is stuck in an eighteenth-century time period by decree of King Endor. Time no longer exists. And the ‘Era’ as they call it, is never-changing. This is an interesting idea – outlawing time, simply getting rid of time and imposing a period from the past on what is actually a futuristic premise. What would people do if high-tech gadgets that allowed for convenience existed, and then were not allowed to use them? Well, of course they would still be used illegally, which is what happens in the book. One thing I thought was interesting was when Claudia and Jared are ridding out to visit the Steel Wolf supporter and they pass by a hovel. Jared comments that only the rich enjoy comfort in this time period, which is very true. But, since everyone knows it’s a sham, why would they stand for it?

Even if a time period was superimposed upon another, you cannot keep time standing still forever. Wouldn’t the poor classes eventually ban together and rise up in rebellion? Wouldn’t commerce and capitalism and the pursuit of the betterment of one’s station overpower strict structures of time and eventually lead to change and even the burgeoning of a middle class? Or a rebellion that results in a change of power? Or any number of things that have happened in the course of human events? And after all, this is why we have change over time, why change exists at all. The world by its nature cannot be stagnant. All things change in time. So wouldn’t this decree of outlawing time and keeping the world in one perpetual state eventually become invalid simply because of the course of human events? You could write a whole book just considering that premise.

Ambition is Destruction: Technology in a Perfect World

“ “…There was no provision for the death penalty, but the prison is in charge now. It is thinking for itself.”
In the silence, Keiro said, “Did they really think it would work?”
After a moment Gildas turned the page… “It seems so. He is not clear about what went wrong. Perhaps some unplanned element entered and tipped the balance… a small act, so that the flaw in their perfect ecosystem gradually grew and destroyed it. Perhaps Incarceron itself malfunctioned, became a tyrant. That certainly happened, but was it cause or effect? And then there’s this.” He pointed out the words as he read them…
“Or is it that man contains within himself the seeds of evil. That even if he is placed in a paradise perfectly formed for him, he will poison it, slowly, with his own jealousies and desires. I fear it may be that we blame the prison for our own corruption, and I do not accept myself, for I too am one who has killed and looked only to my own gain.” ”

There are two very strong messages in the above passage that embody the other two fundamental themes of this book: technology and Utopia.

First of all, technology. The idea that machines will take over and become tyrants, that we spell our own destruction or create our own enslavement or imprisonment by our technology, is a well-worn one. But as we now live in a world where new and more advanced technology appears to surface before its predecessor leaves the factory, and our computers and cell phones become obsolete almost as soon as we purchase them, it’s an issue that is often on our minds and one that deserves serious consideration. Incarceron’s tale of how the prison’s technology overruns its makers and keeps a whole population in its grip is a warning tale (perhaps in the extreme) of what happens when our technology gets too advanced and we know too much for our own good. The fear of going too far, of pushing the boundaries to the absolute limit and then having to deal with the consequences is one that becomes more real as we become more dependent on the gadgets and machines we have invented to help us run our lives. Perhaps it is for this reason King Endor enforced a Protocol that does not include the use of technology to run daily life.

 The second theme here is one that penetrates the entire book. The purpose of Incarceron was to be a perfect environment. A closed-off, self-sustaining system that was unencumbered by the world Outside. The idea was that if Incarceron was all that existed and the people inside it were uninfluenced and unaffected by the Outside,  the paradise would be able to be sustained.  

But as we can see, Fisher proposes that even in a Utopia, will we always destroy it because we are inherently evil. This is such a biblical motif. In the Garden of Eden, man was originally placed in a paradise and because of our own sinful nature, our temptation and disobedience, we were kicked out of it and into a world full of debauchery and evil and hardship. So of course we can always change a paradise into a nightmare. I believe the idea here is that, even if we are inclined as a human race to create destruction from perfection, that there are still some redeeming qualities in us that makes us sorry for the destruction we create and want to rise above it in search of a better existence.

There is much more to be said about the ideas and themes in Incarceron. This is simply a snapshot of what can be explored. 

Visit the author's website: http://www.catherine-fisher.com/index.asp

Get it on Amazon: Incarceron

Saturday, February 12, 2011

Review: White Cat

White Cat by Holly Black
Published: May 4th 2010 by Margaret K. McElderry
Word Count: 76,600
Series:Curse Workers, book one
Source: library audiobook

My Grade: A+

Synopsis from GoodReads.com:
Cassel comes from a family of curse workers — people who have the power to change your emotions, your memories, your luck, by the slightest touch of their hands. And since curse work is illegal, they're all mobsters, or con artists. Except for Cassel. He hasn't got the magic touch, so he's an outsider, the straight kid in a crooked family. You just have to ignore one small detail — he killed his best friend, Lila, three years ago.

Ever since, Cassel has carefully built up a façade of normalcy, blending into the crowd. But his façade starts crumbling when he starts sleepwalking, propelled into the night by terrifying dreams about a white cat that wants to tell him something. He's noticing other disturbing things, too, including the strange behavior of his two brothers. They are keeping secrets from him, caught up in a mysterious plot. As Cassel begins to suspect he's part of a huge con game, he also wonders what really happened to Lila. Could she still be alive? To find that out, Cassel will have to out-con the conmen.


Holly Black has created a gripping tale of mobsters and dark magic where a single touch can bring love — or death — and your dreams might be more real than your memories.


A guy having dreams about and following a white cat? C’mon, that’s corny and dumb. What guy is going to want to pick that book up? Unfortunately, based on the synopsis alone, I don’t think many teenage guys will, which is a shame, because the synopsis does not do this book justice. [Edit: The synopsis from GoodReads gives a much better picture than the one I got from the synopsis on the back of the audiobook case!]

Having read Black’s Valiant, I was hesitant to give this book a shot. Valiant was just ok for me, and with a premise that sounded less promising than the previous read, I doubted White Cat was going to be better. But boy, was I wrong. White Cat is ten times better! The story is nuanced and layered with so much more texture to it that it at first seems. The relationships – especially within the Sharpe family – the con-artist lifestyle, the mafia type hierarchical system of powerful Worker families, the deals, schemes, double-agents, and especially the memory work that keeps you guessing the whole time all combine to keep the reader invested in the action.

Family is a big theme here. Along with betrayal, trust, lies, loyalty, cover-ups, and ties that bind, these prominent themes are all considered and explored through  the context of what they mean when they occur within a family. Cassel hates and loves his brothers at the same time – hates them for how they lied to him, for what they made him do, and for making him believe he had killed his best friend. But despite that, he still wants to save them from a fate born of the consequences of their criminal enterprises.

WARNING: SPOILER IN THIS PARAGRAPH
The most unique aspect of this book is that the usual YA fantasy premise has been flipped on its head. The protagonist is utterly normal, and everyone else around him has a special ability. I thought that was clever as it hasn’t really been explored yet. (At least not in anything I’ve read.) But after the first few chapters I started to suspect maybe Cassel is more like his Worker family members than he thinks. Then I decided I would be very disappointed if Cassel turned out to be a Worker and he just never knew it somehow. Because that would be soooo predictable and therefore, dull. However, while this does happen, Black provides an interesting twist that I didn’t see coming, and so I forgave her for the most obvious reveal in the history of YA fantasy protagonist self-revelation.

This book is the best type of book in its genre because it’s clearly fantasy (a percentage of the population are Curse Workers with magic powers and the larger population all know about them) without seeming to be fantasy at all. By this I mean that there are so many other real human issues, relationships, problems, and stakes that it is easy to forget the element propelling the story, which is the ability of some people to work curses. Yet at the same time Black has created a history for the Curse Workers that gives the fantasy element depth. She has seamlessly woven the telling of the Curse Worker history as well as its significance to the story into the fabric of the tale, so it does not feel forced, but natural. It fits perfectly into real human history and so does not feel foreign or ‘other.’  The fantasy elements support the ‘real’ human elements, not the other way around, which is the type of fantasy I like best. Also, I think it is the best type of fantasy for readers who are not fans of fantasy or are hesitant to pick up a fantasy book, because it shows how fantasy can be used to heighten and therefore highlight certain aspects of the human condition.

The writing is tight and the story well-planned. Although we are dealing with cons, which can easily get muddy and confusing and so can be hard to explain to the reader what is really going on, I never felt like I didn’t know what the score was. I liked that Cassel was clever enough to figure out what was happening but not let on that he knew what was happening until the right moment. I liked that he was confident in his conning abilities, almost like that was his Worker power, making up for what he thought he was lacking as a member of his family. I only hope that Black will not fall prey to the pitfalls of complex plots and subplots in her second book. I am more excited for the sequel to White Cat than I have been for a sequel in a long while.

Find it on Amazon: White Cat (Curse Workers, Book 1)

Visit the author's website:
http://www.blackholly.com/

Wednesday, February 2, 2011

Review: Clockwork Angel

Clockwork Angel by Cassandra Clare

Published: August 31st 2010 by Margaret K. McElderry
Word Count:131,487
Series: Infernal Devices, book one
Source: library audiobook

My Grade: A


Synopsis from GoodReads: When sixteen-year-old Tessa Gray crosses the ocean to find her brother, her destination is England, the time is the reign of Queen Victoria, and something terrifying is waiting for her in London's Downworld, where vampires, warlocks and other supernatural folk stalk the gaslit streets. Only the Shadowhunters, warriors dedicated to ridding the world of demons, keep order amidst the chaos.

Kidnapped by the mysterious Dark Sisters, members of a secret organization called The Pandemonium Club, Tessa soon learns that she herself is a Downworlder with a rare ability: the power to transform, at will, into another person. What's more, the Magister, the shadowy figure who runs the Club, will stop at nothing to claim Tessa's power for his own.

Friendless and hunted, Tessa takes refuge with the Shadowhunters of the London Institute, who swear to find her brother if she will use her power to help them.  As their search draws them deep into the heart of an arcane plot that threatens to destroy the Shadowhunters, Tessa realizes that she may need to choose between saving her brother and helping her new friends save the world...and that love may be the most dangerous magic of all.


I don't have much to say about this book except that it was a good solid read and exactly what I would expect from the author of the Mortal Instruments series. The similarities between Will Herondale and Jace Wayland were easy to see and satisfying to discover, but not so apparent that they seemed like the same character. Quite the opposite.

The plot twists were well devised and well disguised. Clare is a master at backstory and revealing that backstory slowly to provide revelations to the characters and the readers about what is happening in the present. Like in the Mortal Instrument series, I am interested to find out more about Will's  and Jem's pasts and especially Tessa's origins and parents' lives and what that may reveal about the nature of what or who she is. This first book in the Infernal Devices series, while being a satisfying read with a complex story and plenty of information to keep us on the edge of our seats, also seems like only the tip of an iceberg of a much bigger story that will unfold in the upcoming sequels.


Note: The last sentence in the plot summary is a bit misleading, I think. Tessa doesn't really have to chose between saving her brother or helping her friends, and I would say this book is less about love than its predecessor series, The Mortal Instruments.

Find it on Amazon:Clockwork Angel (The Infernal Devices, Book 1)

Visit the author's website: http://www.theinfernaldevices.com/

Tuesday, February 1, 2011

Review: Fire

Fire by Kristen Cashore

Published: October 5th 2009 by Gollancz
Word Count:112,634
Series: prequel to Graceling
Source: library audiobook

My Grade: C+

Synopsis from GoodReads.com: Beautiful creatures called monsters live in the Dells. Monsters have the shape of normal animals: mountain lions, dragonflies, horses, fish. But the hair or scales or feathers of monsters are gorgeously colored-- fuchsia, turquoise, sparkly bronze, iridescent green-- and their minds have the power to control the minds of humans.

Seventeen-year-old Fire is the last remaining human-shaped monster in the Dells. Gorgeously monstrous in body and mind but with a human appreciation of right and wrong, she is hated and mistrusted by just about everyone, and this book is her story.


I decided to read/listen to the audio book Fire because I unexpectedly enjoyed Cashore's first book, Graceling, and Fire is the prequel to that. However, I sadly did not enjoy this book as much as I had hoped I would, mainly because I felt there was no emotional resonance, which is what I so enjoyed in Graceling. There were so many characters to keep track of and so many different couplings and love lives, agendas, and motivations that ruled each character, it was hard to connect with any of them. While Fire was clearly the protagonist, I still did not feel like I could connect with her or any of the characters enough to really really care about them the way I cared about Katsa and Po from Graceling. Even Fire's and Brigan's unlikely love story did not pull me in the way I expected it to. I could have gone either way where that relationship was concerned, and as the reader I should have much stronger feelings about it. Yet, the book was not based around relationships but larger events such as the war between King Nash and the rebel Lords Mydogg and Gentian. But that is no excuse. The characters and the relationships between the characters should be just as well developed as the plot.

Here are my main pet-peeves with this book:

 
I don't like the name Fire. I think it sounds silly, even if her hair is every color of the red-orange-pink spectrum. Speaking of her hair - I understand that Fire's hair is the one determining feature that distinguished her as a monster, but she seemed a bit too preoccupied with it. Describing it, what is was doing, if it was showing or not, if it was up or down. It got a bit tiresome even for me and I'm a girl who sometimes has a similar preoccupation!

This book is an odd creature. I say that because elements it contains, like the hair thing, would make you think it was written expressly for the female audience. Example number two to support this theory is another preoccupation Fire had with a feminine feature: her 'bleeding times.' Seriously, every time it happened she had to talk about it! Yes, we understand that monster blood attracts other monsters and so puts Fire in more danger, but it was not so integral to the story that it needed to be mentioned so often. "Another month had passed, and her bleeding time was on her again..." Just too stressed. But on the other hand, this book is full of soldiers, swords, raptor-monsters (similar to dragons), castles, twisted court intrigue, treachery, murderous plots, and schemes. Everything that the male fantasy audience enjoys. (But then again, I am led to believe the vast majority of young adult males don't read very much at all for pleasure anyways.)
 
I didn't really enjoy the adultery, casual friends-with-benefits arrangements, and premarital sex that occurred so much in the book. Maybe this book is based on a different axis of morality than the real world, but seeing has how Fire felt betrayed when she learned that an upstanding character was indeed adulterous by the end of the book suggests that she does pivot on a moral axis similar to our own. Therefore, I do not think the way this book treats sex and love is very exemplary for young girls who read it. Also, Fire is only seventeen but she acts like she's twenty-seven, and again maybe that's because she's a monster and not a normal human girl. But the maturity with which she went about having casual sex with her best friend Archer and the assurance and confidence she seems to have as she goes about helping the princes and the king with the wars just doesn't seem likely for a teenager.
 
Fire is hard to relate to because of the fact that she's not human, but a monster in the shape of a human. Strange ideas like this can win me over if written well. But while interesting to read, Fire just didn't fully convert me to this idea of a non-human protagonist. All her abilities made her too foreign. And that in itself is not what makes her hard to relate to (how many beloved superhero stories are there out there?). It's the fact that her powers are such a part of who she is, how she views the world, and how she interacts with other people. Fire can manipulate people's emotions and tap into their minds and make them believe things that aren't real or that they wouldn't normally believe, things like that. Such a character must have been thrilling to write. What implications there are for a person who can do such things!  But I needed that interpersonal element, that flaw or vulnerability, and it just wasn't there. Fire didn't let us in, in a way. She put up her strong front even to the reader. She never broke down, never showed us the stakes were too high for her. Even in challeneging situations, she was mostly sure of herself. Maybe I think she's just too perfect, even if her powers allow her to be all that I just described. 
 
There's no central story thread. Fire goes here then there and helps with war strategy but you don't get the sense that the book is really about anything until you're halfway through. There was way too much set up as well, where she explained the history of the princes' and current king's father and Fire's father, who are both dead. Cashore invested alot of her story in Fire's father, Cansrel, describing his personalty, his views, his traits - and this is a character who is dead before the book even begins. I understand why Cashore wanted all that back-story since it informs Fire's views and decisions, but we didn't need quite so much of it to understand its purpose.

I hate writing reviews that sound so harsh. But that's just my honest opinion of the book! It wasn't a bad book by any means but it just wasn't something I greatly enjoyed either.

Find it on Amazon: Fire

Visit the author's website: http://kristincashore.blogspot.com/

Friday, December 17, 2010

Book Blogger Hop: Dec 17-20, 2010

Book Blogger Hop is hosted by Crazy-for-Books. 
Click the button for rules on how to participate in this fun Book Party!
Book Blogger Hop


This week's question is: 
"What do you consider the most important in a story: the plot or the characters?"

My answer:
I am character-driven, all the way. I prefer a book with amazing, deep, complex, intricate characters and little plot than the other way around. Unfortunately it is hard to find books with those amazing deep characters since synopses only focus on the plot. That's why I always feel like I've found a treasure when I discover a book with great characters. Characters are the heart of any story, and if you don't have heart, then you don't have very much at all.

Tuesday, December 14, 2010

Review: Maximum Ride: School's Out - Forever

Maximum Ride: School's Out - Forever by James Patterson

Published: May 23rd 2006 by Little, Brown and Company Word Count: 73,044
Series: Maximum Ride, book 2
Source: library audiobook (abridged)

My Grade: B+


Synopsis from GoodReads.com: In this stand-alone sequel to The Angel Experiment, bird-kid Max and her flock fly south to reunite with their parents. But their perilous mission runs into stiff winds when they are apprehended by an FBI agent who dispatches them to the worst nightmare destination: school! Max's homework assignment include decoding documents that might have help save the world and protect her from Max II, a clone who knows her every move. Action; suspense; plot surprises: all James Patterson specialties.

I decided to listen to an abridged version of this book just to see what it was like. Several elements led me to this curiosity. First, my grandfather's name is James Patterson and alot of people mistake him for the author. Second, the middle-schoolers I nanny absolutely love the Maximum Ride series and have gobbled up every Maximum-Ride-related book available. I started to read The Angel Experiment (first book in the series), and found it was just too juvenile to hold my interest. But - and I've mentioned this before - while I couldn't seem to be bothered to sit and read The Angle Experiment, I found listening to a recording of School's Out - Forever, quite enjoyable. A fun, clever story to listen to but again, I doubt it would have held my attention if I had had to commit to sitting down and reading it.

The characters are all well developed, each with a qualifying trait that makes them easy to distinguish. The plot keeps moving forward and never drags (this might have been a product of listening to the abridged version, but even so, I found that I missed the omitted parts and could tell there was more that would have added to the story without bogging it down). However, the dialogue is filled with cliches an pithy aphorisms that make the whole thing feel too sleek and commercial. Even the title is corny and over-the-top. While I've never read any of Patterson's novels for adults, I know it is pop-culture candy in the vein of Romantic Comedy movies and easy reading Chick-Lit. With the Maximum Ride series Patterson has produced something not often seen in children's fiction: mass-produced candy-coated adventure for the budding youth. There is a reason why the kids I nanny, who read everything from Moby Dick to Twilight, love this series so much. It's fun. It's light. It's fluffy, and it's feel-good - if insubstantial - entertainment on a level youthful enough to be at their level, but with a plot exciting enough to hold my interest while commuting to their house.

Find it on Amazon: School's Out - Forever (Maximum Ride, Book 2)

Visit the author's website: http://www.jamespatterson.com/books_max.php

Thursday, December 9, 2010

Review: Linger

Linger by Maggie Stiefvater

Published:July 13th 2010 by Scholastic Press
Word Count:91,396
Series: Wolves of Mercy Falls, book 2
Source: library hardcover book

My Grade: A

Synopsis from GoodReads.com: In Maggie Stiefvater's Shiver, Grace and Sam found each other. Now, in Linger, they must fight to be together. For Grace, this means defying her parents and keeping a very dangerous secret about her own well-being. For Sam, this means grappling with his werewolf past . . . and figuring out a way to survive into the future. Add into the mix a new wolf named Cole, whose own past has the potential to destroy the whole pack. And Isabelle, who already lost her brother to the wolves . . . and is nonetheless drawn to Cole.

Disclaimer: This review is a bit raw and unfinished because I started writing it a few weeks ago and never finished, and now the book is not as fresh in my mind. Ah well, that's what comes of a super-busy over-stressed crazy Thanksgiving holiday while trying to write grad school applications at the same time. Anyway, here it is....

I love love love the fight Grace and her parents have over her relationship with Sam. It hits it's mark so well and does what it is supposed to. I could really feel the injustice Grace felt at her parent's disapproval of spending time with Sam and the urge to rebel from their unfair treatment. Also, I had read some criticism about the unrealistic nature of the absentee parents in Shiver and I wonder if Maggie took that into consideration by deciding to get the parents more involved in Linger. But I just read on the Mundie Mom's LiveChat with Maggie yesterday that she based the parents on some real families she knew who were like that, and she did that because she wanted there to be a reason why Grace was so independent. I think it's awesome when authors can incorporate real-life situations into their stories. Sometimes, as in this case, real situations seem even stranger or more 'unrealistic' than something completely made-up.

I like how Stiefvater avoids the love triangle temptation (although she hints at it ever so slightly, but maybe that is only a product of Cole's unlikely jealously) and instead widens the scope of her second Mercy Falls book by focusing on the lives of two separate couples. While Isabel and Cole's story is bright, shiny and new and the one most bloggers and fans of the books are talking about, I still saw Sam and Grace's relationship as the main focus of Linger. Then main story arc, the climax, and the open resolution leading to the third book all have to do with what is happening to Grace and Sam. Cole and Isabel only supplement this main storyline. And that's fine. In fact, while Cole is a complex and intriguing new character, I expected his relationship with Isabel to develop more throughout the book, based on the excitement with which others have talked about it. So I guess I was a little underwhelmed at what actually happened with them in the story, but perhaps my expectations were too high. By the end of the book Isabel and Cole are not really a couple. They might not even become one in the next book. I do enjoy the uncertainty of that, and also how their relationship is built on shared pain under a facade of phlegmatic confidence they are both pulling off only by the skin of their teeth.

Find it on Amazon: Linger (Wolves of Mercy Falls, Book 2)

Visit the author's website:http://www.maggiestiefvater.com/

Tuesday, November 23, 2010

Teaser Tuesday Nov. 23rd 2010

Hello loyal followers and welcome to anyone stopping by for the first time! I apologize for not updating recently, and I have a few book reviews in the works which will go up shortly, but for now I am having a little fun with Teaser Tuesdays this week! yay!

Teaser Tuesdays is a weekly bookish meme, hosted by MizB of Should Be Reading. Anyone can play along! Just do the following:
Grab your current read


Open to a random page


Share two (2) “teaser” sentences from somewhere on that page


BE CAREFUL NOT TO INCLUDE SPOILERS! (make sure that what you share doesn’t give too much away! You don’t want to ruin the book for others!)


Share the title & author, too, so that other TT participants can add the book to their TBR Lists if they like your teasers!

My teaser:

"The faery smiled, showing her teeth. 'Of course.'

'Are you sure you want to do this?' Grimalkin asked softly. 'Do you know what happens when you give a faery your name?'"

~ p. 197, The Iron King by Julie Kagawa

Tuesday, November 9, 2010

Review: Fallen

Fallen by Lauren Kate

Published:December 8th 2009 by Delacorte Press 
Word Count:100,927
Series:
Fallen #1
Source: library audiobook


My Grade: B

Synopsis from GoodReads.com: There’s something achingly familiar about Daniel Grigori.

Mysterious and aloof, he captures Luce Price’s attention from the moment she sees him on her first day at the Sword & Cross boarding school in sultry Savannah, Georgia. He’s the one bright spot in a place where cell phones are forbidden, the other students are all screw-ups, and security cameras watch every move.

Even though Daniel wants nothing to do with Luce–and goes out of his way to make that very clear–she can’t let it go. Drawn to him like a moth to a flame, she has to find out what Daniel is so desperate to keep secret . . . even if it kills her.


This synopsis looks so tediously over-used that at first I passed this book by. I thought it would be all mushy girl-who-can't-help-herself-because-she's-so-in-love-with-Adonis-incarnate (which it is, but I've built up a tolerance for this prevalent premise I suppose).  I just want to know who wrote this synopsis. Drawn to him like a moth to a flame? Come on, even I find that corny, and I like corny. But actually, the book is much more interesting than its synopsis leads us to believe. Christian mythology is a popular topic in the supernatural/paranormal fantasy genre right now, and more specifically, fallen angles. This is only the second book about fallen angles I have read (after Hush, Hush) and it is already feeling old. So I like that this book takes place at a reform school. That was something I didn't expect and I was more interested to find about about Luce's life there because of the unique setting.

I loved the quirky characters, both students and teachers. They all gave a distinct flavor to the tone of the book and I only wished I could have gotten to know more about each of them.

(Most of the rest of what I have to say is criticism, but be assured that I still enjoyed the book greatly!)

What I Didn't Like:

Let's talk about the prologue. It was undoubtedly captivating and definitely supplied that 'hook' you need to get your readers instantly into your book, but it also gave a ton away. Because I had read the prologue, I kept waiting for the idea it proposed to come to fruition in the main body of the novel. I already knew most of what was going on, was able to guess the rest, and fully understood why Luce had strange you-seem-familiar feelings or half-hidden memories she couldn't quite explain. This took me out of the experience a bit, more like watching another person go through something rather than going through it with her, which essentially is why we read books right? So we can vicariously experience what the characters are experiencing? So the prologue ruined that a bit, even though I liked it very much.

Another problem I had with the book is that the prologue sets up an expectation what was not fulfilled by the end. In fact, I felt cheated out of a discovery, having read through the whole book only to discover the situation proposed in the prologue would not be fully explained by the end. I think that's a cop out and a cheap way to prolong the story so it stretches into sequels. The 'revelation' or the thing we get to discover near the end of the book is only the fact that Daniel is a fallen angel, which any reader with a brain will have already known. So no, this is not a satisfactory explanation of the unanswered questions Luce and us readers have. Daniel gives a reason for why he can't explain everything to Luce, but I still don't buy it. Sorry!

The biggest story element that absolutely needed to be explained and wasn't was the deal with the fires. Did Luce somehow start the fires, both times resulting in a boy's death - or did the 'shadows'? Why fire? Is there a special significance to fire? Like, Hellfire, maybe?

I also disliked Penn's death. Not in the sense that I liked the character (which I did, she was my favorite) and was sad to see her go, but in the sense that it didn't feel like she needed to die and was just included for dramatic effect, which didn't quite produce the result it was supposed to.

This sounds so critical but actually I enjoyed reading the book and may even read the second one, if only to find out why Luce and Daniel are star-crossed, which is not explained in this book! Blast!

Visit the author's website: http://laurenkatebooks.net/

Find it on Amazon: Fallen

Sunday, October 17, 2010

Book Blogger Hop: Oct 15-18, 2010

Book Blogger Hop is hosted by Crazy-for-Books. 
Click the button for rules on how to participate in this fun Book Party!
 
Book Blogger Hop


This week's question is:
"When you read a book that you just can't get into, do you stick it out and keep reading or move to your next title?"

My answer:
I'm like to think that I choose the books I read carefully enough  before I start reading to avoid this problem. This has only happened to me once, and while it was not a horrible book, it was not a YA fantasy and  I thought my time could be better spent on genre-related books. I do not have enough of a presence in the blogosphere yet to be receiving books for review, and while it would be exciting, it also gives me the freedom to review only what I want. 

Another thing to consider is audio books. I listen to a lot of audio books while I'm driving, and for me, it is easier to get through a book I am only marginally interested in when I am simply listening to it. I think for this reason I have skirted around the problem this week's Hop question addresses.

I'm a little late posting this week but if you've found my blog via the Hop, welcome, and thanks for stopping by!

Tuesday, October 12, 2010

Review: Valiant


Valiant: A Modern Tale of Faerie by Holly Black

Published: September 26th 2006 by Simon Pulse
Word Count: 63,568
Series: The Modern Faerie Tales, book 2
Source: library audio book

My Grade: B-

Synopsis from GoodReads: When seventeen-year-old Valerie runs away to New York City, she's trying to escape a life that has utterly betrayed her. Sporting a new identity, she takes up with a gang of squatters who live in the city's labyrinthine subway system.

But there's something eerily beguiling about Val's new friends. And when one talks Val into tracking down the lair of a mysterious creature with whom they are all involved, Val finds herself torn between her newfound affection for an honorable monster and her fear of what her new friends are becoming.

Note: This is technically the second book in Black’s series, but can be read as a stand-alone since none of the main characters in the first book, Tithe, appear in Valiant.

This is an urban fantasy about faeries and the unfortunate human teenagers who get caught up in faerie plots.

Valiant didn’t grab me the way it might have been supposed to because I couldn’t connect with the protagonist, Val. Maybe I was a little too straight-laced in high school, but a book about a teenage runaway who shoots up faerie heroine to get high and lives in a smelly rodent-infested abandoned NYC subway station for most of the book just didn’t pique my interest the way another premise might. I can see how it might be appealing to some teenagers, as I know the desire to go out on one’s own and ‘live on the streets’ may seem thrilling or glamorous or just plain adventurous.  I do like how the protagonist’s name casual shifts from Valerie to ‘Prince Valiant’ with her change in environment, signaling to the reader that she is assuming a new identity while keeping the same nickname: Val.

The human character I found most interesting was Luis, and the scene I found most interesting was when Luis told Val about his childhood and his history with the fairies. As you might know if you’ve read my other reviews, I’m a sucker for back-story. That’s the element that pulls me into a book the most.

The love story between Val and Ravus the troll was at first unexpected and then oddly refreshing, as you do not normally find love stories between mortals and what we collectively consider monsters or ugly creatures – trolls being in this category.

The actress who reads the audio book Valiant gives Ravus a very gruff voice. Because of this I didn’t necessarily suspect where his relationship with Val was going.  I think if I had read the book the more conventional way, I would have depicted him in my head as more of a ‘gentle giant’ type, although perhaps hidden behind a wary and rough exterior.

When it was revealed toward the end of the book that the faerie Mabry was a prominent figure in the main mystery the mortal teenagers were trying to figure out, I was a little uninterested because we only see Mabry once before her role in the central storyline is revealed. Because of this, we don’t get to know her very well and thus are disinterested in how she matters to the central action.

Overall, not my cup of tea, but I can see why it’s popular.

Get it on Amazon: Valiant: A Modern Tale of Faerie

Visit the author's website:
http://www.blackholly.com/

Books on this blog

  • City of Bones, Book One of The Mortal Instruments Series by Cassandra Clare
  • Eighth Grade Bites, The Chronicles of Vladimir Tod by Heather Brewer
  • Evermore by Alyson Noel
  • Fablehaven by Brandon Mull
  • Magyk, Book One of the Septimus Heap Series by Angie Sage
  • The Alchemyst: Secrets of the Immortal Nicholas Flamel by Michael Scott
  • The Bartimaeus Trilogy: The Amulet of Samarkand by Jonathan Stroud